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Some Woman Trying to Be Good Soil

 There are a lot of days that I sit and watch the trees, the comings and going of life, or the waves of the ocean and ponder life.  I think deep down I am a mystic. Nothing like Harriet Tubman or Howard Thurman, but in my own way, very much a spiritually grounded deep thinker.

Such as it is, I have my morning muse. Me, a hand ground coffee - usually one from Rwanda, Burundi, or Ethiopia - and I sit. 

The very act of sitting is often eschewed in America.

Very much so in historical Foundational Black American communities. Who has time to sit when survival has taken all the essence of life and being?

Sitting, being still, pondering, perhaps there is some privilege in that, I'm not sure, but it is what I have always done early in the morning. I want to be silent in the deeper places of my heart and soul and hear from God.

Probably thirty years ago, I remember the feeling of "what now?" after enduring some tumultuous changes in my life from age 23-29. The twenties are definitely formative coming-to-you stages of life that can deeply impact a young person. Back then, one was considered an adult at 18, so I was almost assuredly in my adulting phase of life, that world before social media, that world before cell phones, that world before the necessarily-always-connected essence that young people find themselves in today.

I can't even phantom what it would be like to have the questions of life in my mid-to-late twenties in this hyper-surveillance-existence we are in now.

Enter some women who are trying to be good soil and in so doing, are inviting us to become our truth.

The Nap Bishop who has intentionally spent the past decade telling women, particularly FBA women, to "go sit down and take a nap." She has been a vocal critic of the grind and hustle culture that is pervasive in millennial circles. The Nap Ministry has become a movement and a conversation about what really matters in life and what can we discover about ourselves, our being, our calling if we just sat still?

My daughter is the other woman that I have been learning from. She is a college graduate, a current grad student and even though she spent the first year post-baacalaurete in an assistant editor position, has been very intentional about taking space for her heart and soul. Unlike many of Gen Z, she is not an influencer, even though she does have the platforms, she does not center her life as a "brand" with every single moment put out for public fodder. She was the one who was my inspiration behind logging off Instagram.

The other women that I've been encountering and engaging with through their work is Cole Arthur Riley in her book, The Black Liturgies and the one before that, This Here Flesh. It was a reclaiming of self and story that she, a millennial, invited us to consider. 

Imani Perry is an historian and her collection of essays in Black in Blues: How a Color Tells the Story of My People has given me a bit of respite along with a bit of understanding. It has been an ah-ha slow journey through this collection. 

Lastly, Tracey Michae'l Lewis-
Giggetts in her work, Black Joy, has challenged me to pause and reach into myself for those moments of simple exhilaration for existing. She followed up her book with The Black Joy Playbook that is a consumable journal experience that included moments of remember what it felt like to swing to what an ice cream cone tastes like at first lick on a hot July day.


So, I muse.

It can sometimes feel like a warmth overcoming me, a smile and no one is in the room but myself, and just a knowing that even with all the craziness that has been swirling around the atmosphere since January, there is still life. 

Life in all the beautiful ways she unfolds, like in simply remembering that we are worth it, life in knowing that love is greater than hate and in the end, good will win.

I may not know what the tomorrow of tomorrows hold, none of us do, what I do know is that if we are brave, if we choose to, we can be good soil.

©2025. A writer in New England just trying to be love and light.

©2025. All Rights Reserved on all photographs taken by the writer/photographer. Personal Library.


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